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Sound engineer · film post-production

Dolby Atmos 7.1.4 studio · Film post-production

Emotion isn't seen. It's heard.

From sound design to Dolby Atmos 7.1.4 mixing, I shape the sound of your films — features, fiction, documentary. Five feature films in full sound post-production, including Jondi, distributed by Pathé.

Get in touch See the films
feature films in full sound post-production
5
Jondi (2026), sound supervision & Atmos mix
Pathé
Trinnov-calibrated Atmos stage
7.1.4
deliverables compliant with Netflix, Prime Video, Apple TV+
ADM BWF
Sound Mastery’s Dolby Atmos mixing stage

The studio

A room built to hear the truth.

A high-precision immersive environment designed for cinema mixing: twelve Trinnov-calibrated speakers in a treated acoustic. Every sound element is placed with three-dimensional precision — and what you approve here is what the audience will hear, in theaters and in streaming.

  • Dolby Atmos 7.1.4
  • Trinnov calibration
  • Pro Tools
  • Mac Studio M4
  • ADM BWF · 5.1 · 7.1 · Stereo
  • Netflix · Prime · Apple TV+ compliant
Visit the studio

Recent work

Finished films, in theaters and on platforms.

All films
  • Jondi

    Feature film · Pathé · 2026

    Jondi

    Sound supervision · Dolby Atmos mixing

  • Parce que c'est toi

    Feature film · 2025

    Parce que c'est toi

    Dialogue editing · Musical arrangement · Foley · Ambiences · Mixing

  • Nine

    Feature film · 2025

    Nine

    Foley

Producers & production companies

The guarantor of your film's sound delivery.

Compliant, on time, from spotting to delivery. Sound comes last in the chain, when there is no margin left — my job is making sure your delivery date never moves.

  • Your date holds

    Sound is the last link before delivery. I secure the schedule: broadcast master, release, festival — the date doesn't slip.

  • Compliant first time

    Give me the broadcaster or DCP specs and I deliver to standard, checked, ready to air — no back-and-forth.

  • A single point of contact

    Sound editing, design, mixing and Atmos under one roof: one person responsible for sound, from spotting to delivery.

Voice, from recording to mix

Dialogue is never outsourced.

From studio recording to the most advanced sound editing: the voice is handled end to end, with no outsourcing. The excerpts below are direct proof.

  1. 01

    Voice recording & ADR

    Voice recording in a dead-quiet studio: post-sync, voice-over, dubbing — with a microphone locker suited to every timbre.

  2. 02

    Lip-sync

    Frame-by-frame alignment of ADR takes to the lips: the audience should never sense the voice was redone.

  3. 03

    Balancing

    Consistent levels, timbre and presence from shot to shot: dialogue stays natural and intelligible in every scene.

  4. 04

    Cleanup & restoration

    Wind, background noise, artifacts: production sound is restored without altering the voice — listen to the before/afters.

And around the voice: full sound editing with advanced editing work — invisible joins, scene reconstruction, shot-precise sound design.

Audio cleanup

Hear the difference.

Same scene, same picture — only the sound changes. Press play and switch at any time between the raw production sound from the set and the dialogue after editing and cleanup: wind and background noise reduction, artifact removal, intelligibility and vocal presence.

No mixing here: these excerpts showcase dialogue editing and cleanup, the stage that comes before the mix — the sound material itself is restored.

Juste une fois · Interior dialogue

Background noise and artifacts in the production sound

0:00 0:00

Switch while playing — the picture continues, only the sound changes.

Juste une fois, a fiction feature film. Brought in to take over the film's soundtrack, I restored the dialogue scene by scene and redid the mix on a very tight schedule.

Jondi · Beach scene

Strong wind, rumble and gusts over the voice

0:00 0:00

Switch while playing — the picture continues, only the sound changes.

Jondi (feature film, distributed by Pathé) — a scene not kept in the final cut. Shot outdoors on a beach — the voice is freed from wind and rumble without altering its character.

Let's work together.

Studio, production company or post-production team: write to me, I answer personally.

Get in touch